Michael Findlay, along with his wife Roberta Findlay, directed and produced numerous sexploitation movies. They have been described as "the most notorious filmmakers in the annals of sexploitation". In the mid-to-late 1960s, Findlay was prominent among a small group of underground New York filmmakers (including Joseph W. Sarno, Joseph P. Mawra, and Lou Campa) that produced exploitation "roughies" (a mix of sex and sadism) for the grindhouse theater market. Sometimes he would direct under the alias Julian Marsh and act in his own films billed as Robert West. His wife Roberta (aka Anna Riva) was...
Lusting Hours
A smorgasbord of sexual deviance is on display in this Mondo-styled mockmentary from the golden age of sexploitation. The Lusting Hours is presented as an exposé of "sex for sale," and how it is peddled in its many forms. The films swings back and forth between rural brothels, where frankly unsophisticated local girls sell satisfaction to farmers and small-town businessmen; big city streetwalkers, who offer pleasure for pay to the dregs of society; male hustlers, who will dally with either men or women for the right paycheck; pornographers, who go from snapping cheesecake photos for fun to documenting increasingly kinky activities to support their voyeuristic habit; and sophisticated call girls whose supposedly glamorous life is at odds with the expense and risks of the flesh trade. Shot in stark black-and-white, The Lusting Hours includes appearances from sexploitation icons Michael and Roberta Findlay, under their aliases Julian Marsh and Anna Riva.
Filmography
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